Showing posts with label The Unit. Show all posts
Showing posts with label The Unit. Show all posts

Monday, November 10, 2008

The Fall 2008 Television Season: Rants and Reviews, Part III

Okay, barring any really odd late-season pickups, this should be my last entry ranting and reviewing the "Fall 2008 Television Season."

Let's cut to the chase, shall we?

My Own Worst Enemy - despite a garbage premiere, Christian Slater's foray into the world his Young Guns II co-star has recently re-popularized (read: TV secret agents) is surprisingly good, and more than a little compelling. The design aesthetic of yet another super-secret government organization is a bit over-the-top, but the presence of two of my "mental loves" of younger days (read: Mädchen Amick and Saffron Burrows) certainly doesn't hurt.

The Unit - you know a show is hurting when it attempts to "diversify" a demographic unrealistically. Yes, the vaunted boys of "The Unit" now include a girl. The idea isn't bad, in and of itself, but its execution is crap. She's not very believable, and, worse, seems relegated to "Unit secretary," but that's not even the most disturbing part of the new season. I can't say I've seen Army wives quite so involved in their husbands' work, I must admit. A not-good-enough show has been made worse.

Rant and Review Updates:

Heroes - an initial pan, followed by a possible reversal, followed by a renewed pan. This cycle of Heroes is lame... there's just no other way to put it.

Life - this show is definitely kicking ass. Too bad NBC has relegated it to the "we're going to cancel this show" time slot (10 PM, Friday nights). The good news is that it did get picked up. The bad news is that we probably won't see any of those episodes, save on DVD.

Prison Break - remember how I wrote how I hated getting ready to watch this, but enjoyed the actual watching of it? Well, that's changing... it's getting boring, and quickly.

Terminator: The Sarah Connor Chronicles - one week up, one week down; one good sub-plot, one bad sub-plot; one good arc, one bad arc - I really wish this show would make up its mind. Still, I don't see it lasting beyond this season.

Friday, October 10, 2008

The Fall 2008 Television Season: Rants and Reviews, Part II

The ranting and reviewing continues, though remains incomplete.

More shows and my impressions:

Californication - after an absolutely hysterical first season, our favorite addictive writer is back and true to form. HD format aside, Showtime makes itself worth it just for this series.

Chuck
- what can I say? This show is ridiculous and charming. The opener picked up right where the previous season left off, in story, tone, and quality of writing. NBC's got a home run.

The Family Guy
and American Dad - for whatever reason, The Family Guy just never gets old. No, the reason is obvious: anything and everything is fair game for vulgar ridicule. And I do mean anything and everything. Throw in your gratuitous pop culture references and you've got entertainment even the dumbest people can get. While mysteriously under-appreciated, its sister show, American Dad, keeps up the game The Family Guy started. Sure, it seems to fill more of a niche than The Family Guy, but it's just as good and sometimes better.

House
- television's favorite doctor is back, and as good as ever. The new cast seems comfortable in their characters, Hugh Laurie plays as irritable as usual, and the writing rarely (if ever) slips. There's a reason House is one of my two favorite shows on television.

Life
- the other of my two favorite shows on television. I have to admit, the less-than-stellar season premiere had me worried. The disjointedness of the script, combined with a new police captain (played by the underwhelming Donal Logue) replacing my favorite lieutenant (the wonderful Robin Weigert) and Dani Reese's lame hairstyle, gave me cause for alarm. Thankfully, the second episode returned to form, even if Reese's hair remained.

The Mentalist -
like House and Life, this show centers on a quirkly main protagonist who is surrounded by competent "normal" people. Instead of being an asshole genius doctor or a wounded zen cop, the protagonist of The Mentalist is a former con artists (of sorts) who simply notices everything. Also like House and Life, this show is good. We'll see if it can keep it up.

Pushing Daisies -
a completely ridiculous concept. A man who can bring the dead back to life with a touch, and kill them again with another touch? Oh, and if the first person brought back to life is kept alive for more than a minute, somebody else somewhere dies. Completely. Ridiculous. And the most charming show on television.

The Simpsons
- what can anyone really say about The Simpsons? It's still around after all these years. It's still of reasonably high quality. Sure, it's not still the animated true sitcom it once was, and it's been heavily influenced by The Family Guy as of late, but it's The Simpsons. By now as American as apple pie (despite being animated in Korea).

Rant and Review Update: Heroes - if the last couple of episodes are any indication, Heroes is back on track to be great entertainment. Kudos.

Still to be R&Red are My Own Worst Enemy, The Unit, so expect a Part III (trilogies are cliché, I know) with those shows and more updates.

Monday, December 3, 2007

The Fall 2007 Television Season: an Update

Now that we're moving into the mid-season breaks, it's easier to call which shows have it, and which ones don't.

Obviously, fan favorites such as Lost and 24 have yet to return, so I won't be offering any conjecture on those.

Well, I'm tired, so let's just run through this, shall we?

Prison Break - still well-acted and fairly well-written, it's becoming painfully obvious that the gimmick is up. I'll keep watching, though, if only to see where it goes. New viewers might get a kick of it, and loyal fanboys (and girls) will obviously remain loyal, but there's not much here for the casual viewer to latch onto.

Heroes - despite a slow, agonizing start to its second season, the show has finally picked back up and is back to its first season quality.

Bionic Woman - is officially banned from my television.

Moonlight - I gave up on this a while ago, but happened to catch the last episode. It appears that the plot has evolved into something engaging. Unfortunately, poor production values and crap acting are still hampering this great concept. Jury's still out on whether or not I jump back into this one.

House - still the best character on television, and though I'm sad to see the "who gets hired?" subplot go, I'm looking forward to the show's Spring return.

The Unit - finding its way, though given that it's in its third season, it should have done that about 30 episodes ago. Military aficionados will enjoy this, even though military inaccuracies still frequent the series far too often.

Life - best new show on television. Period.

Journeyman - started off good (if a little slow), and keeps getting better and better. It'll be a shame if continued poor ratings forces NBC to ax this one.

K-Ville - another show still finding its way. It's a competent series, but is missing that something extra to make it truly a good one. I doubt it'll last long enough, but it'd be nice if the show finds a direction to go in. As it stands now, this is a show that belongs in the 1980s.

Kitchen Nightmares - yes, it's a reality show, but it's a damned good one. The only slight against it is that it pays less attention to the actual restaurant industry, and more attention to the "drama" inherent to the people working in a failing restaurant. The British version managed to do both, so why can't the American version follow suit?

Battlestar Galactica: Razor - cheesy. Bad characterization, bad plot progression, decent writing. As far as being the actual Battlestar Galactica Season 4 setup? Bad, bad idea.

Pushing Daisies - odd, quirky, and totally engaging in a camp kind of way. In this case, however, camp is a good thing. A good example of a television series simply having fun with itself, and not at the expense of its viewers.

Anyway, the SciFi remake of The Wizard of Oz, Tin Man, is on my DVR. More on that to follow.

Thursday, October 4, 2007

The Fall 2007 Television Season: a Quick Review

It's here, the new season, and there are some nice surprises lurking about the network primetime slots. Unfortunately, some of those surprises are bad ones.

The stalwarts are back, of course. And those who read this blog know I'm most likely referring to (and I am) shows like Prison Break, House, and Heroes (even though I'm not as impressed with Heroes as many of you are).

And then there's the newbies. Admittedly, I tend to stay away from ABC and CBS, with the exception of Lost and The Unit (a recent addition to my DVR list... it's gotten much, much better since the first season), but I decided to give a couple of new shows a try.

The ABC show I gave a whirl was Cavemen. I couldn't help it. My curiosity overcame my better judgement, and combined with the fact that I'm a fan of those GEICO commercials, I gave it a look... for all of four minutes. Stay the Hell away from this one, people. I'm not joking.

On CBS I decided to look into Moonlight. Good concept, similar to the classic (and ABC's piss-poor remake) Nightstalker, but pretty bad execution. The lead actor has a certain presence about him, but the rest of the cast is horrible. That's H.O.R.R.I.B.L.E. I'll give this one another go this weekend, but if there's no improvement past the pilot, it's off the "To Do" list.

The odd surprise this season is NBC. Now, I won't go into too much detail, but so far, I've added the near-great new shows Life and Journeyman to the list. Both are outstanding. I'm also watching Chuck, and while there's a certain charm to it, I'm still not entirely convinced. Still, I dig Adam Baldwin, so will give this another couple of weeks. Disappointing is the heavily-hyped Bionic Woman remake, helmed (and acted) by some of the Battlestar Galactica types, the show is an utter mess. Between the pilot and the second show there were already plot holes and sudden "characterization" changes. Expected from the BSG crew, the only thing Bionic Woman is convincing me of is that Katee Sackhoff (a decent actress) is utterly incapable of pulling off the "tough chick" role.

On Fox, the only thing I've watched is K-Ville, which despite a dull pilot, improves a little bit each week. At the rate it's going, it'll be a great show by the end of the season, or cancelled (which I'm betting on).

Anyway, I'm still pissed NBC pulled The Black Donnellys earlier this year, so I'm off to find the DVDs.

Vote Eastwood.
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