Why Cops Must Hate the Mentalist

I enjoy The Mentalist, I really do. I understand that it's an extremely contrived show, but it's full of well-written characters and full of some nice touches that many viewers aren't used to seeing (CBI, anyone?). And, it's certainly far and away better than that totally contrived copycat on Fox, Lie to Me. Sure, it's not as slick, but neither does it rely on as much gimmickery and ultimate pointlessness.

Anyway... though I like the series, headlined by an actor I've followed since I first saw him in a bit part in L.A. Confidential (one of my favorite movies), I'm of the opinion that real cops and detectives must hate it. Ever notice how most of the procedural stuff is handled by Jane (the main character)? And he handles it in such a way that he almost scoffs at it like it's "duh" obvious. And even though the show, unlike Lie to Me, does highlight some procedural and forensic work done by real cops, it's usually as afterthought or just a way to build the other characters in the series. For the show, it works, but it still can't make real cops happy.

Other Television Musings

So, the inevitable happened: Life was canceled. Screw all you bastards who didn't tune it to save it. Ah, well... at least the finale was awesome.

The BBC hit, Primeval, is back, and boy does it suck so far. What happened to the days of shows getting better as they go on? Are even writers suffering from the impatience felt by viewers? And everyone wonders why reality TV is so prolific these days.

The upcoming season certainly has the record for lamest new show titles: The Listener, Mental, The Middle, Glee? Come on, now.

Jay Leno might wind up saving NBC in the short run, but he's going to kill network TV in the long run.

Somebody needs to convince the CW to give it up. Seriously... go away. Sell your better shows to the Big Four and just go away.

While I can't wait for The Cleveland Show to start, something tells me 90 minutes of Seth McFarlane every week is not going to work for very long. Then again, I think I'm overestimating the intelligence of TV audiences, so I'm probably wrong.

Do I really want 18 NFL games per season? Um... I love my Chargers, but no.

The next great NBC shows that aren't going to make it: Chuck and Southland. We can just throw them into the Life, Journeyman, and The Black Donnelly's pile right now.

Prison Break is finally gone. Good riddance. Although I give kudos for that ending.

Craig Ferguson is the best late night host on television.

For you Pushing Daisies fans, it's coming back for three weeks, Saturday nights on ABC.

And, in closing, for you whiny fans who seem to think ratings don't matter, who the fuck do you think ultimately pays for the shows you watch? This ain't the UK, and we ain't got the BBC. So watch the fucking commercials.

Have a nice day.

The Fall 2008 Television Season: Rants and Reviews, Part II

The ranting and reviewing continues, though remains incomplete.

More shows and my impressions:

Californication - after an absolutely hysterical first season, our favorite addictive writer is back and true to form. HD format aside, Showtime makes itself worth it just for this series.

Chuck - what can I say? This show is ridiculous and charming. The opener picked up right where the previous season left off, in story, tone, and quality of writing. NBC's got a home run.

The Family Guy and American Dad - for whatever reason, The Family Guy just never gets old. No, the reason is obvious: anything and everything is fair game for vulgar ridicule. And I do mean anything and everything. Throw in your gratuitous pop culture references and you've got entertainment even the dumbest people can get. While mysteriously under-appreciated, its sister show, American Dad, keeps up the game The Family Guy started. Sure, it seems to fill more of a niche than The Family Guy, but it's just as good and sometimes better.

House - television's favorite doctor is back, and as good as ever. The new cast seems comfortable in their characters, Hugh Laurie plays as irritable as usual, and the writing rarely (if ever) slips. There's a reason House is one of my two favorite shows on television.

Life - the other of my two favorite shows on television. I have to admit, the less-than-stellar season premiere had me worried. The disjointedness of the script, combined with a new police captain (played by the underwhelming Donal Logue) replacing my favorite lieutenant (the wonderful Robin Weigert) and Dani Reese's lame hairstyle, gave me cause for alarm. Thankfully, the second episode returned to form, even if Reese's hair remained.

The Mentalist - like House and Life, this show centers on a quirkly main protagonist who is surrounded by competent "normal" people. Instead of being an asshole genius doctor or a wounded zen cop, the protagonist of The Mentalist is a former con artists (of sorts) who simply notices everything. Also like House and Life, this show is good. We'll see if it can keep it up.

Pushing Daisies - a completely ridiculous concept. A man who can bring the dead back to life with a touch, and kill them again with another touch? Oh, and if the first person brought back to life is kept alive for more than a minute, somebody else somewhere dies. Completely. Ridiculous. And the most charming show on television.

The Simpsons - what can anyone really say about The Simpsons? It's still around after all these years. It's still of reasonably high quality. Sure, it's not still the animated true sitcom it once was, and it's been heavily influenced by The Family Guy as of late, but it's The Simpsons. By now as American as apple pie (despite being animated in Korea).

Rant and Review Update: Heroes - if the last couple of episodes are any indication, Heroes is back on track to be great entertainment. Kudos.

Still to be R&Red are My Own Worst Enemy, The Unit, so expect a Part III (trilogies are cliché, I know) with those shows and more updates.